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Wabi-Sabi

The book “New Standard Craft” about Japanese contemporary craft, embedded in a specific ethic and aesthetic context (simplicity as a value in time were “less” is “more”‘) was and is still my major inspiration behind my work. At the beginning it was the simplicity of the image and the paired down aesthetic of the objects. To me it has a link to William Morris quotation:

“Have nothing in your house that you do not know to useful, or believe to be beautiful ” William Morris

Also the essays in this book give an insight into the thinking of the designers involved (more reading and extracting of content to follow)

NEW STANDARD CRAFT
New Standard Crafts – Seikatsu Kogei Kazumi Tsuji

The following images are from the book “NEW STANDARD CRAFTNEW STANARD CRAFT  LADLENEW STANDARD CRAFT Seikatsu Kogei

NEW STANDARD CRAFT GLAS

Today in the library I “found” the book about Wabi-Sabi. I remember someone talking about it and it is just what I have been looking for! To me it appears to be the aesthetic philosophy linked to Buddhism  and Japanese Crafts aesthetic.

Wabi-sabi

Zen garden of Ryōan-ji. It was built during the Higashiyama period

A Japanese tea house which reflects the wabi-sabi aesthetic in Kenroku-en (兼六園) Garden

Wabi-sabi tea bowl, Azuchi-Momoyama period, 16th century

Wabi-sabi () represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”. It is a concept derived from the Buddhist teaching of the three marks of existence (三法印 sanbōin), specifically impermanence (無常 mujō), the other two being suffering (苦 ku) and emptiness or absence of self-nature (空 ).

Characteristics of the wabi-sabi aesthetic include asymmetry,asperity (roughness or irregularity), simplicity, economy, austerity, modesty, intimacy and appreciation of the ingenuous integrity of natural objects and processes.

Description

“Wabi-sabi is the most conspicuous and characteristic feature of traditional Japanese beauty and it occupies roughly the same position in the Japanese pantheon of aesthetic values as do theGreek ideals of beauty and perfection in the West.” “if an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi.” “[Wabi-sabi] nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.”

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