The Joy of Stitch

Wingham Wool at the Guild for Spinners, Weavers and Dyers in Probus, Cornwall, May 2015

Every year the wool company Wingham Wool comes to visit my local Guild. it is always very exiting, as it is a bit like wine tasting! It is trial spinning of all the fibres on offer! I was very positively surprised to find a good range of British Sheep Roving and again discovered breeds I hadn’t heard before like Massham sheep.I bought some Wensleydale fleece, which still needs carding and some Black Welsh. there is so much more to learn for me and I find this endlessly fascinating!

The Joy of Stitch

Lovely Christiane at the Poly

Co-Creating CARE

On Saturday 24th May we had another workshop at the Poly in Falmouth.  Originally this was to be a glass workshop, but the leader was unable to come, so the lovely Christiane Berghoff stepped in to lead a group workshop on cord-making.  We had three different methods of making cord to play with:  crochet, knitting (French knitting) and the lucette (a weird quasi-pagan looking instrument that, had we not all been lovely people, would have been the subject of fighting over).

Christiane talked about the ideas that concern her practice – sustainability, the importance of community, and the centrality of making.  Then we each taught each other a skill that we already had (I had none to begin with….) and everyone swapped around, so that by the end we’d each had a go on each of the three cord-making methods, and we’d each taught someone at least one skill (perhaps…

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The Joy of Stitch

Bunnies!!! And Why We Craft

Co-Creating CARE

Here’s the link to the Eventbrite page where you can book a place at Sue’s workshop making bunnies.  Or you can drop me an email here and I’ll put you on the list.  Don’t forget to follow the blog – the posts will come to your inbox, and you’ll find out about everything as it happens.

Sue Bamford bunnies Sue Bamford bunnies

A blog I follow had some very interesting things to say this week.  It’s not a crafting blog but more about well-being and knowing how to find your best place in the world.  It’s written by Martha Beck, and said, in part:

People started telling me to “be here now” when I was about 20. “Great!” I responded. “How?” Be still, they said. Breathe. Well, fine. I started dutifully practicing meditation, by which I mean I tried to be still while compulsively planning my next billion-watt wow. But one day…

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The Joy of Stitch

Why Knit a Scarf?

Co-Creating CARE

Katherine Martinko ponders this question in a blog on Treehugger (great site generally, btw).  So why would you?

knitting.jpg.662x0_q100_crop-scaleMartinko points out four main reasons why we might want to do this.  These reasons just keep coming up in all the work we are doing with crafters – they are common to all the people we speak to.  They are:

Creating a product of high quality.

A way to reclaim independence.

Can help a local industry.

It feels really good to make something by hand.

You can read more about each one in the article here.  Plus – there are some really interesting things to read in the comments section, including people who say that in some places, women were not allowed to knit – knitting was a man’s job and women were only allowed to crochet!  When I write more about Bethan Corkhill’s talk at Beyond the Toolkit I will…

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British Wool, Diary Working with Wool, process, What's new?

Ancient Tools, Wool and Time at Archie Browns, Truro

Jamie Mills, who works at Archie Browns, a Health Food Shop, Vegetarian Cafe and Deli,  asked me a while ago to show some of my recent work in the cafe.

With gratitude I accepted the kind offer and since July a  show of photos and and a small installation (hand spun, plant dyed and hand knitted).

The photos are documentation of wool processes, from a visit at the Natural Fibre Company, Launceston, Bosigran Farm in Penwith, and my own processes of spinning and dying.

The exhibition is s glimpse into my art practise, where I am exploring wool as a sustainable material, natural and local resources and slow processes as a reflection and invitation to wellbeing.

The fibre, I used, came from the Natural Fibre Mills  and is their carding waste.

Occasionally  during in the carding processes something goes wrong, or there is a overlap between two carding lots, say Shetland and Wensleydale, (one could say its a mongrel) and the fibre can not be used for further processes.The shawl also does demonstrate my first adventure into dying with natural plant dyes, in this case onion skins, weld (yellow) and woad (blue).

Artist Statement

Wool is a living material, its connotations of clothing and keeping human mankind warm goes back to the beginning of humanity.

Wool provides the link, between our history and our presence, which I feel in my hands while engaging with a raw fleece, while quietly sitting watching how my hand spindle turns a cloud of something unformed into a form, a yarn.

The yarn becomes a symbol, it is the umbilical cord to the land, which feeds and clothes us.

The pieces, I created from this yarn become the witnesses of the time spend and an embodied holder the memory of this time: they invite reflection about our choices how we pass our time.

Wool becomes my companion in my daily enjoyment and engagement, the slow movement of a spindle, of a wooden needle grounds me, slows down time and lets my breath become slow and deep, guides me back into the presence. Wool speaks to people, brings back memories, asks to be touched, to be held and invites to use their hands and cherish the fruits of their hands, again.

Wool asks for tools and company, in such it becomes the vehicle to initiate collaborations with other artist, craftspeople and sometimes musicians.

Wool is my tool and aide to heal my own connection to the land and through my work and my invitations to others to share my vision and hope: fostering reflections towards a healed relationships with our environment, the one and only world we are living in.