“In the old days, the old fellows were sitting around, all the women were laughing , joking – so all that conversation has gone into the basket.”
Verna Nichols , Tasmania
This quote gathered to much up, how I feel about my practise.
When I look again at the cloth were people have embroidered on on now 4 occasions, it seems as if I can still her the voices, the stories and the laughter. And I see as well those, how were quietly stitching, not saying much, but listing and still part, adding their stitches.
My practise has these two aspects
– creating spaces where people can experience again a communal situation, of working with their hands creatively and being with people
– working on my own with very slow technique using Embroidery, Knitting, Crochet and very recently hand spinning as a meditative activity
– Working with my “traveling” projects where ever I am, on the train, in Cafés, with friends talking at the Folk evenings in my home town
Sometimes when I pick up a embroidered cloth, or a hat, knitted from my own pattern and from well chosen wool, I smile as the memories flood back.
The more I think about it, the more I realise that the underlying intend for my activities, shared and alone is Wellbeing.
I was invited by Ilker Cinarel to take part in the exhibition:
INNterval – An artistic collaboration at the Halsetown Inn – a tribute to the legacy of J.Henry Irving.
The Halsetown Inn, 2nd / 8th February 2014
It was a mixed media show, ranging from painting, drawing, sculpture, video, photography and Embroidery!
It was a wonderful night for me, as right from the beginning of the private view till the end people were gathering around the table and started stitching. As a space became free, someone new joined in!
When I was talking to people, I noticed the joy and pleasure, they took out of this rather unexpected opportunity in the context of an otherwise conceptual exhibition setting. It was interesting to watch people stitching and talking, with great intensity!
I am very thankful to Ilker Cinarel, for the opportunity to show my work and to all the people who became participants in the Joy of Stitch!
Some years ago, during the annual “Woolfest” in Cockermouthnear Carlisle, I found at the stand off the Mulberry Dyer (http://www.mulberrydyer.co.uk/) a tool called ‘Lucette’.
This tool predates French Knitting and was used for braiding a wide range of everyday items.
In my research on the internet I found a very interesting range of design, some with a handle, some without like the one above.
From Wikipedia, the free Encyclopaedia
A lucet is a tool used in cord making or braiding which is believed to date back to the Viking and Medieval periods, when it was used to create cords that were used on clothing,or to hang items from the belt. Lucet cord is square, strong, and slightly springy. It closely resembles knitted I-cord or the cord produced on a knitting spool. Lucet cord is formed by a series of loop like knots, and therefore will not unravel if cut. Unlike other braiding techniques such as kumihimo, finger-loop braiding or plaiting, where the threads are of a finite length, lucetted braids can be created without pre-measuring threads and so it is a technique suited for very long cords.
Archaeological finds and a literary description of lucets strongly suggest that its use declined after the 12th century, but was revived in the 17th century. Its use waned again in the early 19th century.
A modern lucet fork, like that pictured, is normally made of wood, with two prongs at one end and a handle on the other. It may also have a hole through which the cord can be pulled. Medieval lucets, in contrast, appear to be double-pronged, straight-sided implements, often made of bone. Some were shaped from hollowed bones, left tubular, presumably so that the cord could be drawn through the centre hole.
In a seminar, where we were asked to show an example of our practice, I decided to demonstrate how to use a Lucette.
Two of my fellow students, Claire and Vicky agreed to volunteer and received a crash course in “lucetting”!!!
We used wool from the Vicarage Farm in Penryn, which I had bought some time ago at the Falmouth Farmers Market.
My two volunteers learned the trick of the trade very quickly and enjoyed the new techniques.
I was inspired by the artist Francoise Dupre, whose work incorporates French knitting and participation.
de fil en aiguille snaith nasc, 2004 French knitting, Four needle knitting, Irish knitting stitches, wide range of yarns including plastic, cotton and wool and digital prints
Installation at the Irish Museum of Modern Art, Dublin
The project is based on social interaction and creative collaboration between artist and participants. The design of the installation is inspired by the Museum Formal Garden and Irish knitting.
-Floor piece: 4m x 4m x 10cm-
-Wall piece: 209 video stills, 6cm x 4.5cm-
-Mixed yarns and digital prints-