British Wool, Christiane Berghoff, Craft and Making, Diary Working with Wool, Local, wellbeing, Wool and People

What creates long term and positive Change for the planet we are living on?

What creates change?
Fear can create change on the short-term, it can modify behaviour to avoid negative consequences .
On the long-term it is the positive experience, like sincere praise and appreciation which will lead to wanting to change for the positive. It is a challenging realisation that in the end only compassion and kindness will initiate healing, starting with ourselves and then reaching out to others people, to all beings on this planet .

Kindness

In our family we do buy our groceries predominantly at our local farmers market, country market and local shops. Only what we can’t buy there, we buy in a supermarket, even then we rather use the local Coop , as it is a franchise run by local people!

There is more than the rational reasoning behind it, to buy local as a means to support local economy, avoiding food miles etc. There is a very important human and emotional factor in this; over time we got to know the people behind the stalls, become more in tune with the natural seasons of our part of the world and feel more strongly part of our local community! Going shopping becomes something to look forward to rather than a chore, it’s meeting friends and sharing there joys and challenges in grow the food we cherish! Then your relationship to our food also changes, we value  and enjoy it so much more, as we know we can enjoy it with a good conscious .
Sometimes I find myself in a supermarket in front say some avocados, I do like them very much, but then I realise they come from Peru or Uganda, and I leave them as there are far too much air or freight miles attached to them. I will wait for the Turkish or Spanish avocados when they are in season at the end of the summer!
A few days later I went to the Trevalyn Farm Shop on the Helston Road, and there were, my Spanish avocados, small and ripe!
It also reminds me, that we’d live in an age of instant gratification. Waiting for a seasonal crop to come around , learning to enjoy what is locally available, requires a shift in thinking and feeling!

Whats that got to do with Wool and Making?

The same principle applies, using local or at least British Wool, reduces the environmental cost on extensive product travel and supports the local economy . The moment we start to make something ourselves, we learn patience and perseverance again. If we combine  local material and hand making we create a stronger bond not only to what we make, but also to our community and the place where we live.

Excerpt from the Campaign for Wool Website

The Campaign for Wool was initiated by His Royal Highness The Prince of Wales and launched in 2010 in the UK. It is supported by sheep farmers, manufacturers, retailers, consumers and wool lovers across the globe. Its simple agenda is to encourage greater understanding and use of real wool and its many natural and sustainable assets. In five years it has spread from the UK to fifteen countries internationally, has attracted millions of social media followers and in 2014 achieved media coverage valued at nearly $ 50 million. Funded by the leading wool grower organisations of the world, the Campaign for Wool has a long-term agenda to maintain a high-profile for wool as the superior natural fibre and works in partnership with wool industry partners globally. – See more at: http://www.campaignforwool.com/news-item/surfaces-2015/#sthash.

Working with local and British wool has changed my perception of clothing in a very deep and profound way. My awareness about the environmental impact of production of actually everything we consume has become a constant companion in my thinking. I am aware of my choices and where I can make decision with a lesser impact, I can choose to support producers by buying local and fair trade and organic as much as I can. It sometimes means waiting, for the right time, for the right item to be available to me.

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I spin and knit, daily, meditating, learning to be with the process , learning to be with the time it takes.

British Wool, Craft and Making, Diary Working with Wool, process, Wool and People

About

 

Indigo Dying Day
Indigo Dying Day

 

 

 

 

My Story

I graduated in 2013 from Falmouth University in Fine Art and are now undertaking a Masters Degree in Art and Environment, at Falmouth University (graduation in 2015).

Originally from Germany , I live in Cornwall, UK with my  family.

The long journey of further and higher education from 2004 has helped me to the understand the core interst of my practices, the sharing of the link between slow hand made processes and wellbeing, introducing and investigating meditative approaches with in an art practice.

I am exploring handspinnig , local sheep wool and proceeding the carding waste from a Cornish wooll mill and I am fazinatated  by ancient techniques like Nalebinding and Lucetting.

Natural Dying is also a very new adventure, with first experiences with Indigo during a Dying Workshop lead by Jean Dean at the monthly meeting of the Guild of  Spinners, Weavers and Dyers in November 2015. Jean introduced the 1-2-3 method by Michel Garcia.

March 2015

During my residency at Cornwall College I taught two dying workshops, first with Onions and the with woad. Woad is also known as the European Indigo. While now spinning the dyed wool I am still so astonished about the strong colour Bettina and I achievedd!

 

Wool and People

#wellmaking Flowergarden in Penzance

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The #wellmaking Flowergarden is popping up in Penzance!

when: Saturday, 13. December, 15.00 – 16.30

where: Archie Browns Cafe (above the Health Food shop)

The #wellmaking Flowergarden is a nationwide project initiated between Fiona Hackney from Falmouth University and Sarah Corbett from the Craftivist Collective.

Currently there are over 40 groups all over Britain taking part!

The project is an invitation for people to come together and while making flower through crafting (stitching, crochet, knitting) to share stories, ideas, memories about the connecting between craft and wellbeing.

We are collecting information / date for a survey and there is the plan to sum up the whole experience in a

” Craft and Wellbeing Manifesto”

In January will be a closing event in London were all the flowers will be on show and raise awareness how important wellbeing is.

For more information check out:

Introducing the #wellMAKING Craftivists Garden! | Craftivist Collective
craftivist-collective.com/wellmaking

Craftivist Garden #wellMAKING – Projects – Falmouth University
projects.falmouth.ac.uk/craftivistgarden/
Craftivist Garden #wellMAKING is a participatory project run by Falmouth … Craftivist Garden takes the flower garden as a metaphor for creative flourishing.

Diary Working with Wool

Making skeins

Making Skeins

i spend the morning spinning with this almost white fleece, I don’t know what breed it is as it comes from the carding waste. It has a beautiful lustre when it comes of the cob ( the cob is the wool which comes of the spindle). It was very still and quiete in the studio, the 1. Years are going through their induction phase.

Later on I wound the yarn from the cob into skeins with the help do a niddy noddy. When I mentioned to my partner first that I needed to use a niddy noddy, he thought I was joking and making it up.

Mine came from Carol Grace, retired Textile lecturer and it is a very useful tool to wind yarn into skeins when no helping “arms” are around.

The skeins are the next step of preparation for dying the yarn.

The Guild of Weavers, Spinners and Dyers Cornwall is holding coming Friday an Indigo Dying day and I will attend.

It is quite humbling for me to see the fruits of my labor, by Friday , I will have 5 skein of whitish yarn. I didn’t clock the time, because being with the spinning, the process, the hand movements, which slowly but surely becoming more familiar is what holds my fascination. The feel and the texture of the fleece and  the still lingering smell of sheep bring the origin of my material back to me. The memory of an  afternoon spend on Bosigran farm, even though we had missed the sheering, the sheep and billy goats were still about.

Working with very little processed wool feels like going back to a source material, something basic and still so  essential ……

How does one give a reflective commentary about a meditative and grounding experience? It has to be experience, to be embodied , become part of life………………

The studio is deserted, students gone home, it is still, I can hear the traffic, the late afternoon light begins to fade, I long to be outside with my spindle……..

Wool and People

MA Interim Show HALFWAY HOUSE

Tomorrow the show for the MA courses in Falmouth ( Woodlane campus, 6-9pm) opens.

The part-time student  taken part with a group show in the Garden Studio.

Here is a glimpse of my  contribution and a few thoughts……

Wool is my medium and my companion.
Wool is renewable and sustainable.
Wool is warmth, comfort and calm.
Wool teaches me respect for the sheep.
Wool teaches me patience and perseverance.
Wool connects me to the origin of our cloth.
Wool connects me to the land and to life.

 

 

 

 

 

 

The Joy of Stitch, Wool and People

My Practise

“In the old days, the old fellows were sitting around, all the women were laughing , joking – so all that conversation has gone into the basket.”

Verna Nichols , Tasmania

This quote gathered to much up, how I feel about my practise.
When I look again at the cloth were people have embroidered on on now 4 occasions, it seems as if I can still her the voices, the stories and the laughter. And I see as well those, how were quietly stitching, not saying much, but listing and still part, adding their stitches.
My practise has these two aspects
– creating spaces where people can experience again a communal situation, of working with their hands creatively and being with people
– working on my own with very slow technique using Embroidery, Knitting, Crochet and very recently hand spinning as a meditative activity
– Working with my “traveling” projects where ever I am, on the train, in Cafés, with friends talking at the Folk evenings in my home town

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Sometimes when I pick up a embroidered cloth, or a hat, knitted from my own pattern and from well chosen wool, I smile as the memories flood back.
The more I think about it, the more I realise that the underlying intend for my activities, shared and alone is Wellbeing.