Diary Working with Wool, Wool and People

A Yellow Day – Dying with Onion skins

On Wednesday, 4. February I run a wool dying workshop with onion skins with Bettina Holland, a 2.year student. Myself, I am new to natural dying and find a fascinating process as the is always a “surprise” element in there! I love dying with onion skins as it is so simple, no mordants maybe a bit of pre-soaking with vinegar and the dye bath can be tipped out to water plants and in an ideal world the exhausted skins could go on the compost! We used a rather large pot and there for ended up with a fairly pale color. When I was dying wool skeins and flees last summer at home, I used a smaller domestic sauce-pan and archived a strong burnt orange colour.

Dying with Onionskins

We dyed skeins of wool and unspun fleece. I also put in a small skein of pale indigo dyed wool and it came out in a gentle mottled and variegated tone.

As fascinating as the dying processes are I intent to keep to a very selective range. I am interested in Woad and Weld, blue and yellow and there for green as almost human input to the natural sheep fleece colours.

This year I intend to plant in gardens of some of my supportive friends around Penzance some Woad and Weld, in order to experience the effect of working with fresh plants rather then with powder.

The dying process opens of new avenues for exploring textures and carding dyed fleece with undyed fleece.

In the carding waste was for example, some reddish brown Alpaca and I carded it with white and greys, mixing the silky soft alpaca with more wire wool! it gives a very unique yarn and it is interesting to spin.

Wool and People

MA Interim Show HALFWAY HOUSE

Tomorrow the show for the MA courses in Falmouth ( Woodlane campus, 6-9pm) opens.

The part-time student  taken part with a group show in the Garden Studio.

Here is a glimpse of my  contribution and a few thoughts……

Wool is my medium and my companion.
Wool is renewable and sustainable.
Wool is warmth, comfort and calm.
Wool teaches me respect for the sheep.
Wool teaches me patience and perseverance.
Wool connects me to the origin of our cloth.
Wool connects me to the land and to life.

 

 

 

 

 

 

Uncategorized

Reading list

Deep ecology for the twenty-first century

Front Cover
Shambhala, 24 Jan 1995 – Nature – 488 pages
Every day, in newspapers and on television, we read and hear about the ongoing destruction of the environment: the greenhouse effect, ozone layer depletion, deforestation, and air and water pollution. Deep Ecology offers a solution to the environmental crisis through a radical shift in human consciousness—a fundamental change in the way people relate with the environment. Instead of thinking of nature as a resource to be used for human needs, Deep Ecology argues that the true value of nature is intrinsic and independent of its utility. Emerging in the 1980s as an influential philosophical, social, and political movement, Deep Ecology has shaped the environmental debate among leading activists and policymakers—from former Vice-President Al Gore to Dave Forman, cofounder of Earth First!Deep Ecology for the Twenty-First Century contains thirty-nine articles by the leading writers and thinkers in the filed, offering a comprehensive array of perspectives on this new approach to environmentalism, exploring:•  The basic philosophy of Deep Ecology.
•  Its roots in the writings of Henry David Thoreau, John Muir and Rachel Carson.
•  The relationship of Deep Ecology to social ecology, ecofeminism, the Greens, and New Age futurism.
•  How Deep Ecology as a way of life is exemplified by two important environmentalists: poet Gary Snyder and Norwegian philosopher Arne Naess.
•  The philosophical dimensions of this environmental movement by its leading theorist.
•  The politics of ecological sustainability and the social and political implications of Deep Ecology for the next century.

Ecofeminist Natures:

Race, Gender, Feminist Theory, and Political Action

Front Cover
Routledge, 1997 – Social Science – 260 pages
Examining the development of ecofeminism from the 1980s antimilitarist movement to an internationalist ecofeminism in the 1990s, Sturgeon explores the ecofeminist notions of gender, race, and nature. She moves from detailed historical investigations of important manifestations of US ecofeminism to a broad analysis of international environmental politics.

Race, Gender, Feminist Theory, and Political Action

Front Cover
Indiana University Press, 1996 – Social Science – 270 pages

Here feminist philosophers and ecofeminist scholars pursue the connections between feminism and environmentalism. Topics include the ecofeminist ethic; the role of patriarchal concepts in perpetuating the domination of women and nature; the grassroots origins and character of a thoughtful ecofeminism; the “ecofeminism-deep ecology debate” in environmental philosophy; deep ecological treatment of animal rights and the omission of ecofeminist analyses of the domination of animals, abortion, and nuclear deterrence; and ways ecofeminism and the science of ecology are or could be engaged in complementary, supportive projects.

The contributors are Carol J. Adams, Carol H. Cantrell, Jim Cheney, Chris Cuomo, Deane Curtin, Victoria Davion, Roger J. H. King, Stephanie Lahar, Patricia Jagentowicz Mills, Patrick D. Murphy, Val Plumwood, Catherine Roach, Robert Sessions, Deborah Slicer, and Karen J. Warren.

Women healing earth:

Third World women on ecology, feminism, and religion

Front Cover
Orbis Books, 1996 – Religion – 186 pages

Ecofeminism

Front Cover

Greta Gaard

Temple University Press, 3 Sep 2010 – Nature – 304 pages
Drawing on the insights of ecology, feminism, and socialism, ecofeminism’s basic premise is that the ideology that authorizes oppression based on race, class, gender, sexuality, physical abilities, and species is the same ideology that sanctions the oppression of nature. In this collection of essays, feminist scholars and activists discuss the relationships among human begins, the natural environment, and nonhuman animals. They reject the nature/culture dualism of patriarchal thought and locate animals and humans within nature. The goal of these twelve articles is to contribute to the evolving dialogue among feminists, ecofeminists, animal liberationists, deep ecologists, and social ecologists in an effort to create a sustainable lifestyle for all inhabitants of the earth. Among the issues addressed are the conflicts between Green politics and ecofeminism, various applications of ecofeminist theory, the relationship of animal liberation to ecofeminism, harmful implications of the romanticized woman-nature association in Western culture, and cultural limitations of ecofeminism.

Ecofeminism:

Women, Culture, Nature (Google eBook)

Front Cover

Karen J. Warren

Indiana University Press, 22 May 1997 – Nature – 472 pages

“… provides readers with a much-needed cross-cultural and multidisciplinary perspective on ecofeminist activism and scholarship.” — Iris

“… a very important contribution to the literature on ecological feminism.” — Ethics

“I think the unique collection of so many different perspectives will help to push readers out of their disciplinary views and work to bring theory and practice together in meaningful ways…. an excellent resource for scholars and teachers…” — Teaching Philosophy

Here the potential strengths and weaknesses of the growing ecofeminist movement are critically assessed by scholars in a variety of academic disciplines and vocations, including anthropology, biology, chemical engineering, education, political science, recreation and leisure studies, sociology, and political organizing.

Timeless Simplicity:

Creative Living in a Consumer Society

Front Cover
Green Books, 1 Jan 2001 – Nature – 107 pages

This is a book about simplicity – not destitution, parsimoniousness or self-denial, but the restoration of wealth in the midst of an afflence in which we are starving the spirit. It is a book about the advantages of living a less cluttered, less stressful life than that which has become the norm in the overcrowded and manic-paced consuming nations. It is a book about having less and enjoying more, enjoying time to do the work you love, enjoying time to spend with your family, enjoying time to pursue creative projects, enjoying time for good eating, enjoying time just to be.

The Joy of Stitch

Reflection on the converstions with Gillian Wylde and Bill Goodyear

 

Sea, Wind and Stitch
Sea, Wind and Stitch

Talk with Bill, Thursday, 17.01.2013

I talked with Bill about the tutorial with Gillian yesterday; the base line is to move on and take the activity “Stitching” on a journey.

It means leaving the church behind for the time being.

I might want to film in some of the small country churches; the spiritual environment, the quiet and the time factor,

particularly here in the South-West of Cornwall echoes with search of a point- place-moment-sequence meets in the stillness that is interwoven with a place and its sounds.

It means going outside, on beaches, rocks, moors. Gillian suggested going out for a day on a journey, for example Dartmoor, spend time stitching and later on writing about the experience.

Also it became very clear, that the video and stills act as documentation and are not the work itself.

The Work is the activity, the act of being in a place while finding the place inside, through a moving activity, the Stitching.

The Stitching becomes a “real” time documentation, tangible memory of the time spend. Each stitch holds the memory of a moment, a breath.

So much comes together for me  in this work;

⇒⇒ my search and longing for beauty (reference Satish Kumar on Beauty),

⇒⇒ my love for the handmade activity, ⇒⇒ my search in using material which are kind to the environment. (Here hemp and British Wool)

⇒⇒ working with music and sound

In talking with Bill it became clearer what I am looking for:

> in the visuals > Images in the landscape, working in the landscape

> in the sound > ambient sound of the filming

> under laying with sound from close up recordings of stitching, needle through the fabric, breathing, moving of cloth.

Also I became aware that I could only think of one “mode” at a time, which is interesting in itself.

Gillian suggests “Contrast” work as in a setting of stitching at Piccadilly Circus.

First I rejected her idea, as something I was not looking for; in the conversation with Bill,

I thought, it would be interesting to explore the idea, with the freedom to abandon it, if it doesn’t feel right.

At the moment I am concentrating on the “Calm” mode.

Working with sound and music is an integral part, as music is such a powerful tool for expression of moods and feeling and plays an important part in my life.